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Lichtquellen examines thresholds between alienation and introspection through a sequence of nocturnal photographs made in Berlin. The work approaches the city as both document and metaphor, tracing its surfaces and silences in the dim light of its winter months.
Each copy was handprinted with Berlin-based publisher Pogo Books using risograph machines and a special extra-dark black ink. The coarse grain, ink spray, and tonal imperfections echo the instability of memory and perception. Printing aberrations and the residue of touch render each copy unique.
Weightless at Last continues Cuadros’ exploration of longing and distance through monochrome portraiture and spatial sequences. The book traces the quiet violence of intimacy, and collective truths that make us human: loss, vulnerability, longing.
Published by HARDEL in 2025, the book was showcased at Photo London, OffPrint Tate Modern, and Miss Read Berlin, and shortlisted for the Deutscher Fotobuch Preis in the Independent Publishing category.
Emerging from Cuadros’ work on impermanence and renewal, No More Blues experiments with cyanotype printing as both image and residue. Botanical contact
prints and found-light exposures produce ghostly silhouettes that are tender, spectral echoes of bodies and plants.Developed during the inmitten group exhibition (2025), each handmade print preserves gesture and trace.